Lab 40: Liza Lim – Musical chimeras: on ecological thinking and symbiotic effects in ‘Sex Magic’ (2020)’, aka making scores that prioritise the contact noise between performer and instrument, and how structure follows sensation

Wednesday 26 January, 12-2pm (online via Minerva)

Lim’s Sex Magic was premiered by American flutist Claire Chase on Dec 18 2020 and livestreamed from The Kitchen in New York. It is a 50-minute work for contrabass flute, electronics and an installation of kinetic percussion, about the sacred erotic in women’s history.

Please see links for more information including the archived video (piece starts at 25′ mark) and interview with Lim. https://onscreen.thekitchen.org/claire-chase-density-2036-part-vii-and-more

Further information is at: https://onscreen.thekitchen.org/media/a-dialogue-with-liza-lim and https://lizalimcomposer.com/2020/08/14/on-sex-magic-2020-for-contrabass-flute-electronics-kinetic-percussion/

You might be interested in …

Amnon Wolman appointed as Visiting Research Fellow

Uncategorized

We’re really pleased to announce that Amnon Wolman will be a Visiting Research Fellow in the lab from January-April 2018. Amnon will be developing his work on scores that investigate memory and imaginary sound during his residency. He says ‘In the last fifteen years my research-based music composition focused the use of text to initiate […]

Read More

Lab 41: Hardi Kurda – Listening to found scores

Uncategorized

Wednesday 17 February 2021, 12-2pm, online via Minerva. Exploring the ready-made scores through speculative listening to create sound compositions that demands other listening spaces. A Kurdish composer, improviser and sound artist, Hardi Kurda began his music education at the Institute of Fine Art, Slemani (violin). He obtained his BA (2009) and MA (2012) degrees in […]

Read More

LAB14: Andrea Young, Ron Herrema

Uncategorized

Wednesday 14 March, 12-4pm (12-2pm, CM107 / 2-4pm CM137) In Lab 14 we welcome composer and vocal performer Andrea Young, who will present her Digital Voice Interface and discuss vocality in relation to her work. In the second half of the lab, composer Ron Herrema will present recent work focused on audiation and specification, ending […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *