PhD

We welcome proposals from prospective PhD students wanting to join the Open Scores Lab, focusing on topics which intersect with current interests of Lab members or which extend the scope of our work. We can support practice-led projects incorporating a portfolio of creative work and more theoretical/musicological research, as well as interdisciplinary approaches. Please get in touch if you would like to discuss a proposal.

Bath Spa also part of the South, West and Wales AHRC Doctoral Training Partnership, an alliance between eight leading universities: Bath Spa plus Aberystwyth, Bath, Bristol, Cardiff, Exeter, Reading and Southampton. Individually our research excellence is internationally recognised. Collectively our expertise creates a centre of excellence supporting and supervising PhD and doctoral students across the humanities, languages and creative arts. The SWW AHRC DTP will be awarding up to 50 fully funded doctoral studentships for the best postgraduate research projects across the full range of Arts & Humanities disciplines for 2017-18 entry. You can find out more about the scope and excellence of the Partnerships’s research activities in each subject at the SWW website. We also welcome interdisciplinary applications and practice-led research projects. For information about opportunities in Music please see the SWW music pages.

 

For University regulations, fees, and general information, please also visit the University’s research degrees page.

Current PhD Students

  • Vassilis Chatzimakris – Indeterminate Mix: Exploring ways of incorporating indeterminacy in the context of mixed-media performances
  • Louis d’Heudieres – Spontaneously realising the unspontaneous:developing a compositional strategy that exploits reduced exposure between performers and scores
  • Martin Humphries – Composing in the community: creating a language of authentic expression within the context of amateur music
  • Ralf Dorrell: Beyond Chord Symbols: an exploration of alternative ways of integrating the improvising soloist into notated big band jazz compositions.
  • Oogoo Maia: Compositional and performative approaches to indeterminate scores in experimental music theatre and multimedia events.
  • Luke Nickel – Living scores: musical scores that exist only in memory
  • Misha Penton – Voice: Sound, Body, Image. Solo and Collaborative Pathways in the Creation of New Post-Opera Works
  • Alexis Porfiriadis: Towards a collective/participatory approach to composition and performance: applications of collective improvisation and verbal/graphic notation in composition for music ensembles.
  • Caitlin Rowley – Questioning the division of ‘public’ and ‘private’ creative spaces through an interdisciplinary approach to composition derived from a performative interpretation of visual art processes.