Walking from Scores

Elena Biserna’s amazing collection of walking scores has now been published, and it includes work by Lab composer Oliver Ginger. His set of scores from borders #1 (2019) is part of his longer borders project which is an intensive investigation of the soundscape of Andover where Oliver has lived for most of his life. There’s more information and documentation on his website.

Elena’s book has only just arrived on my doormat, so I’ve not investigated it in depth yet, but it contains a wealth of walking scores, many of which are quite recent. I’m looking forward to getting walking and trying some of these out….

You can buy the book direct here.

You might be interested in …

Open Scores Lab composers on BBC Radio 3

Uncategorized

Three pieces by Lab members Caitlin Rowley, Luke Nickel and James Saunders were presented last weekend as part of BBC Radio 3’s Why Music? The Key to Memory series at the Wellcome Collection. Caitlin’s Aides Memoire was performed by Bastard Assignments, framing memories evoked by her personal field recordings accompanied by live photography of the performance space. […]

Read More

Vassilis Chatzimakris at SMI-ICTM Ireland conference

Uncategorized

Vassilis Chatzimakris is presenting a new paper on interfacial scores at the Annual Plenary Conference of the Society for Musicology in Ireland (SMI) on 28 May, which will be online via Zoom. Vassilis’s paper ‘Activity, Time and Space in the Composition and Performance of Interfacial Scores’ will outline his recent work on interfaciality and interdisciplinary performance, […]

Read More

Lab 40: Liza Lim – Musical chimeras: on ecological thinking and symbiotic effects in ‘Sex Magic’ (2020)’, aka making scores that prioritise the contact noise between performer and instrument, and how structure follows sensation

Uncategorized

Wednesday 26 January, 12-2pm (online via Minerva) Lim’s Sex Magic was premiered by American flutist Claire Chase on Dec 18 2020 and livestreamed from The Kitchen in New York. It is a 50-minute work for contrabass flute, electronics and an installation of kinetic percussion, about the sacred erotic in women’s history. Please see links for […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *