Caitlin Rowley and Misha Penton at Classical:NEXT

Misha Penton and Caitlin Rowley (Bastard Assignments) have both been selected for Classical:NEXT’s Encore Showcase this year. Misha will be showing her (micro)REQUIEM while Bastard Assignments will show the first performance of Alexander Schubert’s Browsing, Idling, Investigating, Dreaming from their series of Lockdown Jams.

More information on the series and links to the performances can be found at the Classical: NEXT website. The trailer is below, which also includes the Australian ensemble Decibel who we hope are visiting us later in the year.

You might be interested in …

LAB11: Joanna Bailie, Caitlin Rowley, Matthew Sergeant

Uncategorized

Wednesday 6 December 2017, 12-4pm We welcome Berlin-based composer Joanna Bailie in Lab 11 to talk about her recent audio-visual work and its use of synchronisation and sampling. In the first half of the lab, Caitlin Rowley will discuss her recent work using handmade boxes as scores, and Matthew Sergeant will demonstrate a new project […]

Read More

Hausmusik Kollektiv

Uncategorized

Lab composers Oliver Ginger and James Saunders both have pieces in Claudia Molitor’s lockdown book Hausmusik Kollektiv, published by Colin Sackett. Oliver’s piece window scene from 2020 imagines the masked soundscapes contemplated through a closed window, and forms part of his ongoing borders project. James’s piece, evolution occurs slowly or not at all, was made […]

Read More

Lab 25: Harry Matthews

Uncategorized

Wednesday 9 October 2019, 12-4, CM105 The fourth season of Open Scores Lab opens with Harry Matthews presenting some recent work that explores the subjectivity of noise pollution. Harry will talk about composed and installed pieces that draw on personal testimony. In the afternoon session we will test some new work using portable speakers. Harry […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *