Caitlin Rowley and Misha Penton at Classical:NEXT

Misha Penton and Caitlin Rowley (Bastard Assignments) have both been selected for Classical:NEXT’s Encore Showcase this year. Misha will be showing her (micro)REQUIEM while Bastard Assignments will show the first performance of Alexander Schubert’s Browsing, Idling, Investigating, Dreaming from their series of Lockdown Jams.

More information on the series and links to the performances can be found at the Classical: NEXT website. The trailer is below, which also includes the Australian ensemble Decibel who we hope are visiting us later in the year.

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Lab 46: Evan Johnson – Composing with Hand and Forearm

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Wednesday 28 April 2021, 12-2pm [online via Minerva] A combination of discussion of some recent works, a polemic, and a plea: on the importance of the body and its motions, postures and rhythms in everything to do with notated music: not only the performance, not only the material, but the score and even the act […]

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Congratulations Dr. Penton!

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We are very pleased to announce that Misha Penton successfully completed her viva today. Congratulations Dr Penton! The online viva was an absolutely fascinating and engaging discussion. The work, titled Vocality as / in Composition: solo and collaborative creation of new postopera works, comprised a portfolio of two substantial new media monodramas and a site-specific […]

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Networked Collaborative Processes conference presentations by OSL researchers

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Caitlin Rowley and Goni Peles will present their work at the forthcoming Music and/as Process conference on Networked Collaborative Processes. Caitlin will be talking about recent work with fellow Bastard Assignments composer Josh Spear, focusing on their experience of their Lockdown Jams project which has really pushed the various platforms as creative tools. Caitlin has […]

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