Caitlin Rowley and Misha Penton at Classical:NEXT

Misha Penton and Caitlin Rowley (Bastard Assignments) have both been selected for Classical:NEXT’s Encore Showcase this year. Misha will be showing her (micro)REQUIEM while Bastard Assignments will show the first performance of Alexander Schubert’s Browsing, Idling, Investigating, Dreaming from their series of Lockdown Jams.

More information on the series and links to the performances can be found at the Classical: NEXT website. The trailer is below, which also includes the Australian ensemble Decibel who we hope are visiting us later in the year.

You might be interested in …

Networked Collaborative Processes conference presentations by OSL researchers

Uncategorized

Caitlin Rowley and Goni Peles will present their work at the forthcoming Music and/as Process conference on Networked Collaborative Processes. Caitlin will be talking about recent work with fellow Bastard Assignments composer Josh Spear, focusing on their experience of their Lockdown Jams project which has really pushed the various platforms as creative tools. Caitlin has […]

Read More

Where are we going?

Uncategorized

Aaron Moorehouse has just had an article published in Tempo, titled ‘Where are we going? And what have we done?’, which focuses on the way composers consider the psychosocial impacts of their work. It’s something that often gets ignored, with a focus on the work rather than what it does in the world. Aaron’s research […]

Read More

Hausmusik Kollektiv

Uncategorized

Lab composers Oliver Ginger and James Saunders both have pieces in Claudia Molitor’s lockdown book Hausmusik Kollektiv, published by Colin Sackett. Oliver’s piece window scene from 2020 imagines the masked soundscapes contemplated through a closed window, and forms part of his ongoing borders project. James’s piece, evolution occurs slowly or not at all, was made […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *