Caitlin Rowley and Misha Penton at Classical:NEXT

Misha Penton and Caitlin Rowley (Bastard Assignments) have both been selected for Classical:NEXT’s Encore Showcase this year. Misha will be showing her (micro)REQUIEM while Bastard Assignments will show the first performance of Alexander Schubert’s Browsing, Idling, Investigating, Dreaming from their series of Lockdown Jams.

More information on the series and links to the performances can be found at the Classical: NEXT website. The trailer is below, which also includes the Australian ensemble Decibel who we hope are visiting us later in the year.

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Walking from Scores

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Elena Biserna’s amazing collection of walking scores has now been published, and it includes work by Lab composer Oliver Ginger. His set of scores from borders #1 (2019) is part of his longer borders project which is an intensive investigation of the soundscape of Andover where Oliver has lived for most of his life. There’s […]

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Lab 34: Aaron Cassidy – A way of making ghosts

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Wednesday 11 November, 12-2pm [online via Minerva] Aaron Cassidy will discuss two recent quartets based on the work of the painter Gerhard Richter—Self-Portrait, Three Times, Standing (15.3.1991–20.3.1991) (2018–19) and Self-Portrait, 1996 (2020)—that together form the collection A way of making ghosts. Since he has given some recent online lectures about the relationship between the pieces […]

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Bastard Assignments film session

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London-based collective Bastard Assignments were with us this week filming in the Commons TV Studio. This is part of a new project we’re beginning to develop, bringing in performers to make films that use the studio as a resource, trying to do more than is normally possible with concert documentation. Today we filmed two pieces […]

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