Networked Collaborative Processes conference presentations by OSL researchers

Caitlin Rowley and Goni Peles will present their work at the forthcoming Music and/as Process conference on Networked Collaborative Processes. Caitlin will be talking about recent work with fellow Bastard Assignments composer Josh Spear, focusing on their experience of their Lockdown Jams project which has really pushed the various platforms as creative tools. Caitlin has been building a really useful wiki which opens up their experience of different platforms to aid others making work in this way. Goni’s presentation will focus on a playthrough of his participatory audio game Scorecraft, which we have been enjoying testing in the lab over the past few months.

The conference takes place online on Friday 25 June 2021. For more information please see the Music and/as Process site.

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LAB 19: Andy Ingamells, Robert Luzar

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Wednesday 5 December, 12-4pm (CM.107) In Lab 19 Andy Ingamells joins us to talk about playfulness and fun in serious music, followed in the afternoon by Robert Luzar considering thinking, politics, and art. Both Andy and Robert are regularly involved in performances of their own work, and we will consider approaches to thinking through practice […]

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LAB 18: Thomas Meadowcroft, Goni Peles

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Wednesday 14 November, 12-4pm (CM.107) For Lab 18 we welcome composer Thomas Meadowcroft from Berlin to talk about his recent work, focusing on composing and neoliberalism. In the second half of the Lab, PhD composer Goni Peles will present his recent CompositionCloud project, with some opportunities to create content and explore distributed creative practices.   12-2pm […]

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Photo (c) Dimitri Djuric

d’Heudieres in London, Saunders in Manchester, both in Berlin

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Open Scores Lab members Louis d’Heudieres and James Saunders had pieces played in November at series in London and Manchester. Louis’s new piece Vox Pop was performed at Bastard Assignments’  New Teeth 3 show at Block 336 in Brixton on 4 November. The piece extends his use of audio scores, using Wagner as source material for a […]

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