Open Scores Lab at summer conferences

Lab members Matthew Sergeant, Louis d’Heudieres and James Saunders have presented papers at three international conferences so far this summer. James’s paper ‘What’s the point? Balancing purpose and play in rule-based compositions’ was given at the Performing Indeterminacy conference at University of Leeds on 30 June, followed by a performance of his piece sometimes we do what you say, but occasionally we don’t. Matthew presented his paper ‘Queered orientation(s): Re-imagining the taxonomy and interrelation of musical materials in The Velvet Rage (2017)’ at the MuSA 2017 conference in Karlsruhe. Louis chaired a session on Ephemeral Scores and the Work-Concept at the RMA Music and Philosophy Study Group conference at King’s College London on 13 July, which included a paper on his Laughter Studies series.

You might be interested in …

Photo (c) Dimitri Djuric

d’Heudieres in London, Saunders in Manchester, both in Berlin

Uncategorized

Open Scores Lab members Louis d’Heudieres and James Saunders had pieces played in November at series in London and Manchester. Louis’s new piece Vox Pop was performed at Bastard Assignments’  New Teeth 3 show at Block 336 in Brixton on 4 November. The piece extends his use of audio scores, using Wagner as source material for a […]

Read More

LAB11: Joanna Bailie, Caitlin Rowley, Matthew Sergeant

Uncategorized

Wednesday 6 December 2017, 12-4pm We welcome Berlin-based composer Joanna Bailie in Lab 11 to talk about her recent audio-visual work and its use of synchronisation and sampling. In the first half of the lab, Caitlin Rowley will discuss her recent work using handmade boxes as scores, and Matthew Sergeant will demonstrate a new project […]

Read More

Lab 36: Thor Magnusson – Sonic Writing: Technologies of Material, Symbolic and Signal Inscriptions

Uncategorized

In this talk I will present resent research that explores how contemporary music technologies trace their ancestry to previous forms of instruments and media. I will look at how new digital music technologies have origins in traditional instrument design, musical notation, and sound recording. The scope will range from ancient Greek music theory, medieval notation, early […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *