Open Scores Lab at summer conferences

Lab members Matthew Sergeant, Louis d’Heudieres and James Saunders have presented papers at three international conferences so far this summer. James’s paper ‘What’s the point? Balancing purpose and play in rule-based compositions’ was given at the Performing Indeterminacy conference at University of Leeds on 30 June, followed by a performance of his piece sometimes we do what you say, but occasionally we don’t. Matthew presented his paper ‘Queered orientation(s): Re-imagining the taxonomy and interrelation of musical materials in The Velvet Rage (2017)’ at the MuSA 2017 conference in Karlsruhe. Louis chaired a session on Ephemeral Scores and the Work-Concept at the RMA Music and Philosophy Study Group conference at King’s College London on 13 July, which included a paper on his Laughter Studies series.

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Photo (c) Dimitri Djuric

d’Heudieres in London, Saunders in Manchester, both in Berlin

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Open Scores Lab members Louis d’Heudieres and James Saunders had pieces played in November at series in London and Manchester. Louis’s new piece Vox Pop was performed at Bastard Assignments’  New Teeth 3 show at Block 336 in Brixton on 4 November. The piece extends his use of audio scores, using Wagner as source material for a […]

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Lab 22: Maya Verlaak, Goni Peles

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Wednesday 6 March, 12-4, CM107 In Lab 22 Maya Verlaak joins us from Amsterdam to present some recent work stemming from her lived experience and viewing work from the outside. In the second half of the lab, Goni Peles will try out his current work developing an app that governs relationships between musicians drawing on […]

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LAB12: Claudia Molitor, Louis d’Heudieres, James Saunders

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Wednesday 10 January, 2-4pm (CM119 / CM106) Claudia Molitor will present some recent work in Lab 12 that explores listening and looking in relation to environment, and ways this is altered through technology. In the first half of the lab, Louis d’Heudieres and James Saunders will test some new work involving instructions, consensus, and association. […]

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