Open Scores Lab at summer conferences

Lab members Matthew Sergeant, Louis d’Heudieres and James Saunders have presented papers at three international conferences so far this summer. James’s paper ‘What’s the point? Balancing purpose and play in rule-based compositions’ was given at the Performing Indeterminacy conference at University of Leeds on 30 June, followed by a performance of his piece sometimes we do what you say, but occasionally we don’t. Matthew presented his paper ‘Queered orientation(s): Re-imagining the taxonomy and interrelation of musical materials in The Velvet Rage (2017)’ at the MuSA 2017 conference in Karlsruhe. Louis chaired a session on Ephemeral Scores and the Work-Concept at the RMA Music and Philosophy Study Group conference at King’s College London on 13 July, which included a paper on his Laughter Studies series.

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Amnon Wolman appointed as Visiting Research Fellow

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We’re really pleased to announce that Amnon Wolman will be a Visiting Research Fellow in the lab from January-April 2018. Amnon will be developing his work on scores that investigate memory and imaginary sound during his residency. He says ‘In the last fifteen years my research-based music composition focused the use of text to initiate […]

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Lab 29: Martijn Tellinga – Scoring Space

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Wednesday 11 December 2019, 12-2pm and 2-4pm, CM105 In Lab 29 we welcome artist and composer Martijn Tellinga. His work focuses on sound, place and process, and he will present some recent work in the lab. In the morning he will talk about some recent work, and in the afternoon session we will work on […]

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Lab 45: Michael Pisaro-Liu – Quiet Masses

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Wednesday 21 April 2021 [2-4pm, online via Minerva – NOTE CHANGE OF TIME] Michael will talk about and play some recent (and not so recent) work that attempts to touch the infinite stream of the world with multitudes of small sounds. Michael Pisaro-Liu (born 1961 in Buffalo, New York) is a long time member of […]

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