Open Scores Lab at summer conferences

Lab members Matthew Sergeant, Louis d’Heudieres and James Saunders have presented papers at three international conferences so far this summer. James’s paper ‘What’s the point? Balancing purpose and play in rule-based compositions’ was given at the Performing Indeterminacy conference at University of Leeds on 30 June, followed by a performance of his piece sometimes we do what you say, but occasionally we don’t. Matthew presented his paper ‘Queered orientation(s): Re-imagining the taxonomy and interrelation of musical materials in The Velvet Rage (2017)’ at the MuSA 2017 conference in Karlsruhe. Louis chaired a session on Ephemeral Scores and the Work-Concept at the RMA Music and Philosophy Study Group conference at King’s College London on 13 July, which included a paper on his Laughter Studies series.

You might be interested in …

LAB5: Matthew Shlomowitz, Alex Glyde-Bates, Ben Jameson

Uncategorized

Wednesday 1 February, 12-4pm, CM108 In Lab 5 we feature work that uses found materials and processes, considering the way music references and translates aspects of the world. We welcome Matthew Shlomowitz, who will discuss his Popular Contexts series, and he is joined by two of his PhD students from Southampton, Ben Jameson and Alex Glyde-Bates. The […]

Read More

LAB14: Andrea Young, Ron Herrema

Uncategorized

Wednesday 14 March, 12-4pm (12-2pm, CM107 / 2-4pm CM137) In Lab 14 we welcome composer and vocal performer Andrea Young, who will present her Digital Voice Interface and discuss vocality in relation to her work. In the second half of the lab, composer Ron Herrema will present recent work focused on audiation and specification, ending […]

Read More

Lab 31: Amnon Wolman – Experimenting with the composition process

Uncategorized

Wednesday 19 February, 12-2pm, CM107 In recent years, experimental music has defined itself as an aesthetic and a “sound” identified by specific pieces and composers. In this talk I will try to shift the discussion back to experimentation as a central part of the composition process regardless of an aesthetic or sound. In my own […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *