Lab members Matthew Sergeant, Louis d’Heudieres and James Saunders have presented papers at three international conferences so far this summer. James’s paper ‘What’s the point? Balancing purpose and play in rule-based compositions’ was given at the Performing Indeterminacy conference at University of Leeds on 30 June, followed by a performance of his piece sometimes we do what you say, but occasionally we don’t. Matthew presented his paper ‘Queered orientation(s): Re-imagining the taxonomy and interrelation of musical materials in The Velvet Rage (2017)’ at the MuSA 2017 conference in Karlsruhe. Louis chaired a session on Ephemeral Scores and the Work-Concept at the RMA Music and Philosophy Study Group conference at King’s College London on 13 July, which included a paper on his Laughter Studies series.
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Wednesday 11 December 2019, 12-2pm and 2-4pm, CM105 In Lab 29 we welcome artist and composer Martijn Tellinga. His work focuses on sound, place and process, and he will present some recent work in the lab. In the morning he will talk about some recent work, and in the afternoon session we will work on […]
Wednesday 8 March, 12-4pm, CM108 In Lab 6 we investigate interdisciplinary approaches to scoring, considering uses of different media and modes of realisation. Caitlin Rowley explores the hidden space of the rehearsal as a site for performance, and Vassilis Chatzimakris looks at interfacial scores. Our visitor is Peter Ablinger, one of the most consistently inventive […]
This year we had two more filming sessions in the Bath Spa TV Studios. In January, Alex Mah and James Saunders performed Luke Nickel’s Transcribing, a piece Luke wrote for Parkinson Saunders to play at the Wellcome Collection in London, broadcast by BBC Radio 3. In July Anton Lukoszevieze and Amnon Wolman recorded two of […]