Open Scores Lab at summer conferences

Lab members Matthew Sergeant, Louis d’Heudieres and James Saunders have presented papers at three international conferences so far this summer. James’s paper ‘What’s the point? Balancing purpose and play in rule-based compositions’ was given at the Performing Indeterminacy conference at University of Leeds on 30 June, followed by a performance of his piece sometimes we do what you say, but occasionally we don’t. Matthew presented his paper ‘Queered orientation(s): Re-imagining the taxonomy and interrelation of musical materials in The Velvet Rage (2017)’ at the MuSA 2017 conference in Karlsruhe. Louis chaired a session on Ephemeral Scores and the Work-Concept at the RMA Music and Philosophy Study Group conference at King’s College London on 13 July, which included a paper on his Laughter Studies series.

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LAB4: Jennifer Walshe, Robert Luzar, Oogoo Maia

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Wednesday 11 January, 12-4pm, CM131 In the fourth lab we explore physicality and scoring. Robert Luzar will present recent video demonstrations and discuss their relationship with live performance, and Oogoo Maia considers the musician’s body as a site of music-making through a series of interactive games. In the second part we welcome composer/performer Jennifer Walshe who will present […]

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New video releases

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We’ve begun to film performances of work related to the Lab’s focus in the Bath Spa University TV Studios. In July, Bastard Assignments came in for a day to shoot two pieces, Josh Spear’s Extended Play and Edward Henderson’s Blow/Suck. We did a lot of takes, working with three cameras and green screen, then Josh and Edward […]

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Lab researchers at January conferences

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Goni Peles, Elliot Simpson and James Saunders presented papers at two conferences in January. Goni and Elliot presented their work at the New Mimesis: simulation, models, metaphors and data in music symposium run by Orpheus Instituut and Canterbury Christ Church. Elliot presented his work with animator Mandy Toderian on the sonification of f-curves and keyframe […]

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