LAB10: Howard Skempton

Wednesday 8 November 2017, 12-4pm

In Lab 10 our visitor is celebrated composer Howard Skempton. Howard joins us as part of a two-day celebration of his music, with performances by staff and students. As a founder of the Scratch Orchestra with Cornelius Cardew and Michael Parsons, Howard has been at the forefront of exploratory music in the UK for the last fifty years, and he will talk about form and function. The first half of the lab will include some practical work trying out work in progress by lab composers.

The lab meets from 12-2pm in CM119 and then we move to CM106 from 2-4pm for Howard’s talk.

Howard Skempton [CM106]: Reflections on Form
Howard Skempton is a professional composer whose works have been published by Oxford University Press since 1994. His best known work is Lento (1990), commissioned by the BBC for the BBC Symphony Orchestra and was performed at 2010 BBC Proms. Much of his music is available on CD. The Oxford University Press website includes discography, a biography and details of recent compositions. He is an Honorary Member of the Royal Academy of Music.

Only the Sound Remains was shortlisted for the 2011 Royal Philharmonic Society Music Awards. The piece, a large scale composition for viola and chamber ensemble, was written for the Birmingham Contemporary Music Group, and had its premiere in 2010. Howard has had previous success at the Awards with his string quartet,Tendrils, written for the 2004 Huddersfield Festival. It won the Royal Philharmonic Society award for chamber-scale composition. Tendrils also won the Chamber Music category in the BBC Radio 3’s British Composer Awards. The Moon is Flashing won the 2008 award in the vocal category.

Howard has continued to compose choral music, including an Advent antiphon for Merton College Oxford and anthems for Chester and Wells Cathedrals.

 [Drawing (c) Trevor Skempton]

You might be interested in …

LAB5: Matthew Shlomowitz, Alex Glyde-Bates, Ben Jameson

Uncategorized

Wednesday 1 February, 12-4pm, CM108 In Lab 5 we feature work that uses found materials and processes, considering the way music references and translates aspects of the world. We welcome Matthew Shlomowitz, who will discuss his Popular Contexts series, and he is joined by two of his PhD students from Southampton, Ben Jameson and Alex Glyde-Bates. The […]

Read More

New video releases

Uncategorized

We’ve begun to film performances of work related to the Lab’s focus in the Bath Spa University TV Studios. In July, Bastard Assignments came in for a day to shoot two pieces, Josh Spear’s Extended Play and Edward Henderson’s Blow/Suck. We did a lot of takes, working with three cameras and green screen, then Josh and Edward […]

Read More

Lab 36: Thor Magnusson – Sonic Writing: Technologies of Material, Symbolic and Signal Inscriptions

Uncategorized

In this talk I will present resent research that explores how contemporary music technologies trace their ancestry to previous forms of instruments and media. I will look at how new digital music technologies have origins in traditional instrument design, musical notation, and sound recording. The scope will range from ancient Greek music theory, medieval notation, early […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *