The September issue of The Wire includes an article by Tim Rutherford-Johnson on scores that are brought to life by performers bodies. It includes discussion of work by current and former lab composers Louis d’Heudieres and Luke Nickel.
Lab researchers at January conferences
Goni Peles, Elliot Simpson and James Saunders presented papers at two conferences in January. Goni and Elliot presented their work at the New Mimesis: simulation, models, metaphors and data in music symposium run by Orpheus Instituut and Canterbury Christ Church. Elliot presented his work with animator Mandy Toderian on the sonification of f-curves and keyframe […]
Wednesday 13 February, 12-4pm (CM.107) Emmanuelle Waeckerlé: Playing (with) and becoming I will share a few projects, VINST, JUNGLE FEVER, PRAELUDERE, Ode (owed) to O, specualting on where my attachment to spoken/written language and the voice may come from, and how a few conceptual strategies I have used over the years have recently led to […]
Matt Robertson at Vocal Vertebra Bcn
Matt Robertson is performing in Vocal Vertebra Bcn on 5 October at Universitat Pompeu Fabra, Barcelona. The performance is drawn from his work with the experimental poetry workshop Writers Forum initiated by Bob Cobbing at Goldsmiths College and ‘invites the audience to the sound and visual exploration of gestures, accents, sounds and movements of the performance.’ […]