The September issue of The Wire includes an article by Tim Rutherford-Johnson on scores that are brought to life by performers bodies. It includes discussion of work by current and former lab composers Louis d’Heudieres and Luke Nickel.
Lab 41: Hardi Kurda – Listening to found scores
Wednesday 17 February 2021, 12-2pm, online via Minerva. Exploring the ready-made scores through speculative listening to create sound compositions that demands other listening spaces. A Kurdish composer, improviser and sound artist, Hardi Kurda began his music education at the Institute of Fine Art, Slemani (violin). He obtained his BA (2009) and MA (2012) degrees in […]
Lab 23: Paul Whitty, Matthew Sergeant
Wednesday 3 April, 12-4, CM107 Join us and go back to nature in Lab 23. Composer and sound artist Paul Whitty will talk about his recent site-specific work, field recording (literally), and football. In the afternoon session Matthew Sergeant will show his current work on materiality with a new piece for gravel and instruments. Paul Whitty: I […]
LAB15: Dominic Lash, Misha Penton, Vassilis Chatzimakris
Wednesday 18 April, 12-4pm (12-2pm, CM107 / 2-4pm CM137) This month we welcome Bristol-based double bassist, improviser and composer Dominic Lash to talk about his work with Éliane Radigue on her Occam Ocean series. Dominic will play the piece and discuss the working process for making the piece with Radigue. In the first half of the lab, […]