The September issue of The Wire includes an article by Tim Rutherford-Johnson on scores that are brought to life by performers bodies. It includes discussion of work by current and former lab composers Louis d’Heudieres and Luke Nickel.
Lab 45: Michael Pisaro-Liu – Quiet Masses
Wednesday 21 April 2021 [2-4pm, online via Minerva – NOTE CHANGE OF TIME] Michael will talk about and play some recent (and not so recent) work that attempts to touch the infinite stream of the world with multitudes of small sounds. Michael Pisaro-Liu (born 1961 in Buffalo, New York) is a long time member of […]
Hearing Motion in the Moment – New Forms of Interactive Soundmapping
Hearing Motion in the Moment – New Forms of Interactive Soundmapping Eric Powell (Concordia University) Wednesday 31 January, 3.00-4.30pm / CM.107 Presentation and workshop co-hosted by the Research Centre for Environmental Humanities, the Open Scores Lab, and the Global Academy of Liberal Arts. Eric Powell is a PhD candidate, sound-artist, and researcher in the Communications Department at […]
Robert Luzar’s Demonstrations at SKELF
Robert Luzar and Francesco Gagliardi’s collaborative video and text work Demonstrations is available to view at SKELF virtual project space. Demonstrations is a group of four videos, showing how certain actions may or may not be made by viewers. The first piece, How To Outline Through Elastic and Red Tape, is now available to view and the whole series […]