The September issue of The Wire includes an article by Tim Rutherford-Johnson on scores that are brought to life by performers bodies. It includes discussion of work by current and former lab composers Louis d’Heudieres and Luke Nickel.
LAB3: David Pocknee, Andrew Hugill
Wednesday 7 December, 12-4pm, CM131 The third lab considers the nature of scoring and its relationship with digital technologies. We welcome composer David Pocknee to talk about the grid, completeness, and divination, following a presentation and discussion led by Andrew Hugill on human and machine creativity and their impact on score paradigms. 12-2pm: Andrew Hugill […]
LAB 19: Andy Ingamells, Robert Luzar
Wednesday 5 December, 12-4pm (CM.107) In Lab 19 Andy Ingamells joins us to talk about playfulness and fun in serious music, followed in the afternoon by Robert Luzar considering thinking, politics, and art. Both Andy and Robert are regularly involved in performances of their own work, and we will consider approaches to thinking through practice […]
LAB4: Jennifer Walshe, Robert Luzar, Oogoo Maia
Wednesday 11 January, 12-4pm, CM131 In the fourth lab we explore physicality and scoring. Robert Luzar will present recent video demonstrations and discuss their relationship with live performance, and Oogoo Maia considers the musician’s body as a site of music-making through a series of interactive games. In the second part we welcome composer/performer Jennifer Walshe who will present […]