The September issue of The Wire includes an article by Tim Rutherford-Johnson on scores that are brought to life by performers bodies. It includes discussion of work by current and former lab composers Louis d’Heudieres and Luke Nickel.
Lab 36: Thor Magnusson – Sonic Writing: Technologies of Material, Symbolic and Signal Inscriptions
In this talk I will present resent research that explores how contemporary music technologies trace their ancestry to previous forms of instruments and media. I will look at how new digital music technologies have origins in traditional instrument design, musical notation, and sound recording. The scope will range from ancient Greek music theory, medieval notation, early […]
LAB16: Atau Tanaka, Alexandra Spence
Wednesday 9 May, 12-4pm (12-2pm, CM107 / 2-4pm CM137) The final lab or 2017-18 features two visiting artists exploring interaction between bodies, technology and environment. Australian artist and musician Alexandra Spence presents recent work using resources drawn from specific locations as compositional material, while Atau Tanaka considers the body as a musical instrument, capturing physiological […]
LAB11: Joanna Bailie, Caitlin Rowley, Matthew Sergeant
Wednesday 6 December 2017, 12-4pm We welcome Berlin-based composer Joanna Bailie in Lab 11 to talk about her recent audio-visual work and its use of synchronisation and sampling. In the first half of the lab, Caitlin Rowley will discuss her recent work using handmade boxes as scores, and Matthew Sergeant will demonstrate a new project […]