Open Scores Lab programme for 2017-18

We are pleased to announce the visitors for the 2017-18 labs following on from our first series in 2016-17. Each lab is on the first Wednesday of the month in term time from 12-4pm, and features a visiting speaker alongside presentations by staff and PhD students from Bath Spa. The lab is a mix of theory and practice, and we often try out work in progress.

The first lab is on Wednesday 4 October, and features Andrew Hugill talking about silence and audio games as scores, and our visitor is recent PhD graduate Luke Nickel who will be presenting some recent work, including a new piece that will be performed live on BBC Radio 3 on 14 October as part of their Why Music? The Key to Memory event at the Wellcome Collection in London.

Open Scores Lab 2017-18 visiting speakers

4 October: Luke Nickel

8 November: Howard Skempton

6 December: Joanna Bailie

10 January: Claudia Molitor

7 February: Amnon Wolman

7 March: Andrea Young

9 May: Atau Tanaka

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LAB1: Michael Winter, Louis d’Heudieres, Luke Nickel

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Lab 1: Wednesday 5 October, 12-4pm, CM131 In the first lab of the year we welcome American composer Michael Winter who will talk about combinatorics in his recent work. For more information about Michael, please see his website. Michael will also be speaking to the Centre for Creative Computing on 11am on Thursday 6 October in the Riding […]

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more videos

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This year we had two more filming sessions in the Bath Spa TV Studios. In January, Alex Mah and James Saunders performed Luke Nickel’s Transcribing, a piece Luke wrote for Parkinson Saunders to play at the Wellcome Collection in London, broadcast by BBC Radio 3. In July Anton Lukoszevieze and Amnon Wolman recorded two of […]

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LAB14: Andrea Young, Ron Herrema

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Wednesday 14 March, 12-4pm (12-2pm, CM107 / 2-4pm CM137) In Lab 14 we welcome composer and vocal performer Andrea Young, who will present her Digital Voice Interface and discuss vocality in relation to her work. In the second half of the lab, composer Ron Herrema will present recent work focused on audiation and specification, ending […]

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