Lab 36: Thor Magnusson – Sonic Writing: Technologies of Material, Symbolic and Signal Inscriptions

In this talk I will present resent research that explores how contemporary music technologies trace their ancestry to previous forms of instruments and media. I will look at how new digital music technologies have origins in traditional instrument design, musical notation, and sound recording. The scope will range from ancient Greek music theory, medieval notation, early modern scientific instrumentation to contemporary multimedia and artificial intelligence. I will point to a bespoke affinity and similarity between current musical practices and those from before the advent of notation and recording, stressing the importance of instrument design in the study of new music and projecting how new computational technologies, including machine learning, will transform our musical practices.

The talk will include examples of live coding performance, audiovisual composition and discuss the way compositional practices are shifting towards idiosyncratic system design above the more conventional notational practices.


Thor Magnusson is a Professor in Future Music at the University of Sussex. His work focusses on the impact digital technologies have on musical creativity and practice, explored through software development, composition and performance. He is the co-founder of ixi audio (www.ixi-audio.net), and has developed audio software, systems of generative music composition, written computer music tutorials and created two musical live coding environments. He has taught workshops in creative music coding and sound installations, and given presentations, performances and visiting lectures at diverse art institutions, conservatories, and universities internationally.

In 2019, Bloomsbury Academic published Magnusson’s monograph Sonic Writing: The Technologies of Material, Symbolic and Signal Inscriptions. The book explores how contemporary music technologies trace their ancestry to previous forms of instruments and media, including symbolic musical notation. The book underpins current research, where, as part of the MIMIC project (www.mimicproject.com), Magnusson has worked on a system that enables users to design their own live coding languages for machine learning (see http://sema.codes)

Further information here: http://thormagnusson.github.io

You might be interested in …

Lab composers featured in The Wire

Uncategorized

The September issue of The Wire includes an article by Tim Rutherford-Johnson on scores that are brought to life by performers bodies. It includes discussion of work by current and former lab composers Louis d’Heudieres and Luke Nickel.

Read More

Open Scores Lab composers on BBC Radio 3

Uncategorized

Three pieces by Lab members Caitlin Rowley, Luke Nickel and James Saunders were presented last weekend as part of BBC Radio 3’s Why Music? The Key to Memory series at the Wellcome Collection. Caitlin’s Aides Memoire was performed by Bastard Assignments, framing memories evoked by her personal field recordings accompanied by live photography of the performance space. […]

Read More

LAB11: Joanna Bailie, Caitlin Rowley, Matthew Sergeant

Uncategorized

Wednesday 6 December 2017, 12-4pm We welcome Berlin-based composer Joanna Bailie in Lab 11 to talk about her recent audio-visual work and its use of synchronisation and sampling. In the first half of the lab, Caitlin Rowley will discuss her recent work using handmade boxes as scores, and Matthew Sergeant will demonstrate a new project […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *