Lab 34: Aaron Cassidy – A way of making ghosts

Wednesday 11 November, 12-2pm [online via Minerva]

Aaron Cassidy will discuss two recent quartets based on the work of the painter Gerhard Richter—Self-Portrait, Three Times, Standing (15.3.1991–20.3.1991) (2018–19) and Self-Portrait, 1996 (2020)—that together form the collection A way of making ghosts. Since he has given some recent online lectures about the relationship between the pieces and the paintings, and to the issues raised by self-portraits in general, this talk will instead focus on some of the more practical, technical aspects of the pieces. He will look in detail at the approach to instruments, including several newly developed performance techniques and instrument preparations, and at the organisation of material through structural mechanisms that prioritise behavioural models and modes of interaction.

You might be interested in …

Lab 25: Harry Matthews

Uncategorized

Wednesday 9 October 2019, 12-4, CM105 The fourth season of Open Scores Lab opens with Harry Matthews presenting some recent work that explores the subjectivity of noise pollution. Harry will talk about composed and installed pieces that draw on personal testimony. In the afternoon session we will test some new work using portable speakers. Harry […]

Read More

Matt Robertson at Vocal Vertebra Bcn

Uncategorized

Matt Robertson is performing in Vocal Vertebra Bcn on 5 October at Universitat Pompeu Fabra, Barcelona. The performance is drawn from his work with the experimental poetry workshop Writers Forum initiated by Bob Cobbing at Goldsmiths College and ‘invites the audience to the sound and visual exploration of gestures, accents, sounds and movements of the performance.’ […]

Read More

Back in the studio

Uncategorized

We made our first TV studio project after Covid last week, recording four new pieces by Lab members. It was great to be working with the studio crew again, and we had a fun couple of days trying out some new kit and making some sounds. We recorded two new pieces by Harry Matthews – […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *