Back in the studio

We made our first TV studio project after Covid last week, recording four new pieces by Lab members. It was great to be working with the studio crew again, and we had a fun couple of days trying out some new kit and making some sounds.

We recorded two new pieces by Harry Matthews – Distraction Piece and Home and Away Chords. Distraction Piece features visiting research fellow Elliot Simpson on guitar playing some Luis Milan (very beautifully!), while Harry, James Saunders and Caitlin Rowley go to increasingly desperate lengths to distract him. He’s just too good though. Caitlin also recorded Harry’s piece for multiple speakers playing back audio Caitlin had recorded at home in her studio and while travelling, playing viola live while moving around the speakers. We recorded this one with a binaural mic to give a sense of the movement.

Caitlin also recorded her piece A Memory of Wind, based on readings from coastal rocks overlaid with maritime charts, realised on solo viola. This is going to be part of an extended version of the piece with Misha Penton.

We finished with a recording of James’s reaching an acceptable and stable solution, filmed with a top down camera to allow the chaos to unfold in a slightly more balletic manner.

The videos will gradually appear on the Lab’s video page, and we are planning on making more soon.

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LAB6: Peter Ablinger, Caitlin Rowley, Vassilis Chatzimakris

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Wednesday 8 March, 12-4pm, CM108 In Lab 6 we investigate interdisciplinary approaches to scoring, considering uses of different media and modes of realisation. Caitlin Rowley explores the hidden space of the rehearsal as a site for performance, and Vassilis Chatzimakris looks at interfacial scores. Our visitor is Peter Ablinger, one of the most consistently inventive […]

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Robert Luzar’s Demonstrations at SKELF

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Robert Luzar and Francesco Gagliardi’s collaborative video and text work Demonstrations is available to view at SKELF virtual project space. Demonstrations is a group of four videos, showing how certain actions may or may not be made by viewers. The first piece, How To Outline Through Elastic and Red Tape, is now available to view and the whole series […]

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Open Scores Lab at summer conferences

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Lab members Matthew Sergeant, Louis d’Heudieres and James Saunders have presented papers at three international conferences so far this summer. James’s paper ‘What’s the point? Balancing purpose and play in rule-based compositions’ was given at the Performing Indeterminacy conference at University of Leeds on 30 June, followed by a performance of his piece sometimes we do […]

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