Lab composers Oliver Ginger and James Saunders both have pieces in Claudia Molitor’s lockdown book Hausmusik Kollektiv, published by Colin Sackett. Oliver’s piece window scene from 2020 imagines the masked soundscapes contemplated through a closed window, and forms part of his ongoing borders project. James’s piece, evolution occurs slowly or not at all, was made in early 2020 from an exercise we did with the postgrad composers at Bath Spa. The piece is participatory, and features a collection of sound files that may gradually transform over multiple generations as participants recreate combinations of existing files using other means. If you want to have a go, the score is available here, and Claudia’s original website collection of all the pieces is here.
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Lab 37: Cat Hope – Animated Graphic notations for electro/acoustic and collaborative works
Wednesday 9 December, 12-2pm [online via Minerva] In this presentation, Australian composer and performer Cat Hope talks about her animated notation practice and how it is used to facilitate the inclusion of electronics in a series of small and large scale works. Originally engaged to enable a focus on very low sound, glissandi and long […]
LAB 17: Laura Bowler, Harry Matthews, Alex Mah
Wednesday 3 October, 12-4pm (CM.107) The first lab of the year features a visit from composer-performer Laura Bowler, who will talk about extremes and autobiography in her work. In the second half of the lab, Alex Mah and Harry Matthews report back from the KLANGRAUM and CAMP summer schools that they attended this year, and will […]
Robert Luzar’s Demonstrations at SKELF
Robert Luzar and Francesco Gagliardi’s collaborative video and text work Demonstrations is available to view at SKELF virtual project space. Demonstrations is a group of four videos, showing how certain actions may or may not be made by viewers. The first piece, How To Outline Through Elastic and Red Tape, is now available to view and the whole series […]