Hausmusik Kollektiv

Lab composers Oliver Ginger and James Saunders both have pieces in Claudia Molitor’s lockdown book Hausmusik Kollektiv, published by Colin Sackett. Oliver’s piece window scene from 2020 imagines the masked soundscapes contemplated through a closed window, and forms part of his ongoing borders project. James’s piece, evolution occurs slowly or not at all, was made in early 2020 from an exercise we did with the postgrad composers at Bath Spa. The piece is participatory, and features a collection of sound files that may gradually transform over multiple generations as participants recreate combinations of existing files using other means. If you want to have a go, the score is available here, and Claudia’s original website collection of all the pieces is here.

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Lab 32: Laurence Crane

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Wednesday 30 September 2020, 12-2pm [online via Minerva] Composer Laurence Crane will show a selection of his music. Drawing on over 35 years of work in composition, he will talk about some of his recurring preoccupations as a composer over this period. Laurence Crane was born in Oxford in 1961 and studied composition with Peter […]

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Oogoo Maia PhD completion

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Congratulations to Dr. Maia who has now completed his PhD! Oogoo’s fascinating project focused on developing a vigilant musical practice, which he describes as exploring three main principles: non-normative cognitive states (how the performer thinks); embodied multimodal imagery across a full effort scale (the images a performer draws with their presence); and inter-personal communication (the […]

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Lab 37: Cat Hope – Animated Graphic notations for electro/acoustic and collaborative works

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Wednesday 9 December, 12-2pm [online via Minerva] In this presentation, Australian composer and performer Cat Hope talks about her animated notation practice and how it is used to facilitate the inclusion of electronics in a series of small and large scale works. Originally engaged to enable a focus on very low sound, glissandi and long […]

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