Hausmusik Kollektiv

Lab composers Oliver Ginger and James Saunders both have pieces in Claudia Molitor’s lockdown book Hausmusik Kollektiv, published by Colin Sackett. Oliver’s piece window scene from 2020 imagines the masked soundscapes contemplated through a closed window, and forms part of his ongoing borders project. James’s piece, evolution occurs slowly or not at all, was made in early 2020 from an exercise we did with the postgrad composers at Bath Spa. The piece is participatory, and features a collection of sound files that may gradually transform over multiple generations as participants recreate combinations of existing files using other means. If you want to have a go, the score is available here, and Claudia’s original website collection of all the pieces is here.

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LAB6: Peter Ablinger, Caitlin Rowley, Vassilis Chatzimakris

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Wednesday 8 March, 12-4pm, CM108 In Lab 6 we investigate interdisciplinary approaches to scoring, considering uses of different media and modes of realisation. Caitlin Rowley explores the hidden space of the rehearsal as a site for performance, and Vassilis Chatzimakris looks at interfacial scores. Our visitor is Peter Ablinger, one of the most consistently inventive […]

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Open Scores Lab programme for 2017-18

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We are pleased to announce the visitors for the 2017-18 labs following on from our first series in 2016-17. Each lab is on the first Wednesday of the month in term time from 12-4pm, and features a visiting speaker alongside presentations by staff and PhD students from Bath Spa. The lab is a mix of […]

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more videos

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This year we had two more filming sessions in the Bath Spa TV Studios. In January, Alex Mah and James Saunders performed Luke Nickel’s Transcribing, a piece Luke wrote for Parkinson Saunders to play at the Wellcome Collection in London, broadcast by BBC Radio 3. In July Anton Lukoszevieze and Amnon Wolman recorded two of […]

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