Lab composers Oliver Ginger and James Saunders both have pieces in Claudia Molitor’s lockdown book Hausmusik Kollektiv, published by Colin Sackett. Oliver’s piece window scene from 2020 imagines the masked soundscapes contemplated through a closed window, and forms part of his ongoing borders project. James’s piece, evolution occurs slowly or not at all, was made in early 2020 from an exercise we did with the postgrad composers at Bath Spa. The piece is participatory, and features a collection of sound files that may gradually transform over multiple generations as participants recreate combinations of existing files using other means. If you want to have a go, the score is available here, and Claudia’s original website collection of all the pieces is here.
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Wednesday 8 November 2017, 12-4pm In Lab 10 our visitor is celebrated composer Howard Skempton. Howard joins us as part of a two-day celebration of his music, with performances by staff and students. As a founder of the Scratch Orchestra with Cornelius Cardew and Michael Parsons, Howard has been at the forefront of exploratory music […]
We are very pleased to announce that Misha Penton successfully completed her viva today. Congratulations Dr Penton! The online viva was an absolutely fascinating and engaging discussion. The work, titled Vocality as / in Composition: solo and collaborative creation of new postopera works, comprised a portfolio of two substantial new media monodramas and a site-specific […]
Three pieces by Lab members Caitlin Rowley, Luke Nickel and James Saunders were presented last weekend as part of BBC Radio 3’s Why Music? The Key to Memory series at the Wellcome Collection. Caitlin’s Aides Memoire was performed by Bastard Assignments, framing memories evoked by her personal field recordings accompanied by live photography of the performance space. […]