Lab 45: Michael Pisaro-Liu – Quiet Masses

Wednesday 21 April 2021 [2-4pm, online via Minerva – NOTE CHANGE OF TIME]

Michael will talk about and play some recent (and not so recent) work that attempts to touch the infinite stream of the world with multitudes of small sounds.

Michael Pisaro-Liu (born 1961 in Buffalo, New York) is a long time member of the Wandelweiser collective. While, like other members of Wandelweiser, Pisaro-Liu is known for pieces of long duration with periods of silence, in the past fifteen years his work has branched out in many directions, including work with field recording, electronics, improvisation and large ensembles of very different kinds of instrumental constitution. Pisaro-Liu teaches composition and experimental music the California Institute of the Arts.

You might be interested in …

Anton Lukoszevieze plays Amnon Wolman

Uncategorized

Anton Lukoszevieze (cello and voice) Amnon Wolman (electronics) Wednesday 7 February 2018 7.30pm, Michael Tippett Centre, Bath Spa University Cellist Anton Lukoszevieze presents recent pieces for cello, voice and electronics by composer Amnon Wolman as part of their ongoing collaborations. A’s Album (2013) Dangerous Bend (1999) Use Crosswalk (2017) I have known Anton the cellist […]

Read More

lab online

Uncategorized

We’ve been meeting every Friday afternoon for an online lab, where we’ve been discussing our recent work and trying pieces out where some participatory testing is needed. Over this year we’ve been focusing on playfulness as an area of focus, driven in part by some of the group making game pieces, and the general sense […]

Read More

Lab 37: Cat Hope – Animated Graphic notations for electro/acoustic and collaborative works

Uncategorized

Wednesday 9 December, 12-2pm [online via Minerva] In this presentation, Australian composer and performer Cat Hope talks about her animated notation practice and how it is used to facilitate the inclusion of electronics in a series of small and large scale works. Originally engaged to enable a focus on very low sound, glissandi and long […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *