lab online

We’ve been meeting every Friday afternoon for an online lab, where we’ve been discussing our recent work and trying pieces out where some participatory testing is needed. Over this year we’ve been focusing on playfulness as an area of focus, driven in part by some of the group making game pieces, and the general sense of play inherent in much of our work. We’ve listened to and watched pieces by everyone in the group, whether it’s a work in progress or recently completed piece. It’s been great as a format as everyone in the group can join and we’ve found more connections between what we do as a result, despite the (sometimes sizeable) geographical distances.

We’ll publish some outcomes of the Friday labs soon.

You might be interested in …

New article in Organised Sound

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Lab members Aaron Moorehouse, Harry Matthews, and Oogoo Maia have a joint-authored article in Organised Sound published today. The article, titled ‘Post-sonic Perspectives on Socially Engaged Compositional Practices: Composing ‘after sound’ and beyond music’, addresses the precedence given to sound in musical analysis and argues that socially engaged composers might reconsider the importance they place […]

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Transcribing and filming

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We recorded a new piece today in the Bath Spa University TV studios, following the session last year with Bastard Assignments. As part of our developing series of videos of new work, we filmed Luke Nickel’s Transcribing, a piece written originally for Parkinson Saunders and premiered at the Wellcome Collection in London in October, broadcast […]

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Lab 22: Maya Verlaak, Goni Peles

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Wednesday 6 March, 12-4, CM107 In Lab 22 Maya Verlaak joins us from Amsterdam to present some recent work stemming from her lived experience and viewing work from the outside. In the second half of the lab, Goni Peles will try out his current work developing an app that governs relationships between musicians drawing on […]

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