lab online

We’ve been meeting every Friday afternoon for an online lab, where we’ve been discussing our recent work and trying pieces out where some participatory testing is needed. Over this year we’ve been focusing on playfulness as an area of focus, driven in part by some of the group making game pieces, and the general sense of play inherent in much of our work. We’ve listened to and watched pieces by everyone in the group, whether it’s a work in progress or recently completed piece. It’s been great as a format as everyone in the group can join and we’ve found more connections between what we do as a result, despite the (sometimes sizeable) geographical distances.

We’ll publish some outcomes of the Friday labs soon.

You might be interested in …

Caitlin Rowley and Misha Penton at Classical:NEXT

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Misha Penton and Caitlin Rowley (Bastard Assignments) have both been selected for Classical:NEXT’s Encore Showcase this year. Misha will be showing her (micro)REQUIEM while Bastard Assignments will show the first performance of Alexander Schubert’s Browsing, Idling, Investigating, Dreaming from their series of Lockdown Jams. More information on the series and links to the performances can […]

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LAB6: Peter Ablinger, Caitlin Rowley, Vassilis Chatzimakris

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Wednesday 8 March, 12-4pm, CM108 In Lab 6 we investigate interdisciplinary approaches to scoring, considering uses of different media and modes of realisation. Caitlin Rowley explores the hidden space of the rehearsal as a site for performance, and Vassilis Chatzimakris looks at interfacial scores. Our visitor is Peter Ablinger, one of the most consistently inventive […]

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Lab 46: Evan Johnson – Composing with Hand and Forearm

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Wednesday 28 April 2021, 12-2pm [online via Minerva] A combination of discussion of some recent works, a polemic, and a plea: on the importance of the body and its motions, postures and rhythms in everything to do with notated music: not only the performance, not only the material, but the score and even the act […]

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