lab online

We’ve been meeting every Friday afternoon for an online lab, where we’ve been discussing our recent work and trying pieces out where some participatory testing is needed. Over this year we’ve been focusing on playfulness as an area of focus, driven in part by some of the group making game pieces, and the general sense of play inherent in much of our work. We’ve listened to and watched pieces by everyone in the group, whether it’s a work in progress or recently completed piece. It’s been great as a format as everyone in the group can join and we’ve found more connections between what we do as a result, despite the (sometimes sizeable) geographical distances.

We’ll publish some outcomes of the Friday labs soon.

You might be interested in …

Lab 42: Leo Chadburn – Found Text, Speaking Voices, Self Portraits

Uncategorized

Leo Chadburn talks about his work from the last decade: music that is concerned with the musicality and theatricality of the speaking voice, found text, lists and stream-of-consciousness writing. He has drawn upon models borrowed from visual art, such as the installation work of Susan Hiller and the films of John Smith and Peter Greenaway, […]

Read More

Lab 44: Catherine Lamb – The in-between

Uncategorized

Wednesday 14 April, 12-2pm [online via Minerva] Catherine Lamb talks about the in-between, notions of impurities, perspectivism, Sruti as harmonic thinking, spirals, and multi-dimensional realities. We will also listen to some music. Catherine Lamb is an active composer exploring the interaction of tone, summations of shapes and shadows, phenomenological expansions, the architecture of the liminal (states […]

Read More

Lab 23: Paul Whitty, Matthew Sergeant

Uncategorized

Wednesday 3 April, 12-4, CM107 Join us and go back to nature in Lab 23. Composer and sound artist Paul Whitty will talk about his recent site-specific work, field recording (literally), and football. In the afternoon session Matthew Sergeant will show his current work on materiality with a new piece for gravel and instruments. Paul Whitty: I […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *