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Lab 41: Hardi Kurda – Listening to found scores

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Wednesday 17 February 2021, 12-2pm, online via Minerva. Exploring the ready-made scores through speculative listening to create sound compositions that demands other listening spaces. A Kurdish composer, improviser and sound artist, Hardi Kurda began his music education at the Institute of Fine Art, Slemani (violin). He obtained his BA (2009) and MA (2012) degrees in […]

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Lab 36: Thor Magnusson – Sonic Writing: Technologies of Material, Symbolic and Signal Inscriptions

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In this talk I will present resent research that explores how contemporary music technologies trace their ancestry to previous forms of instruments and media. I will look at how new digital music technologies have origins in traditional instrument design, musical notation, and sound recording. The scope will range from ancient Greek music theory, medieval notation, early […]

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Lab 44: Catherine Lamb – The in-between

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Wednesday 14 April, 12-2pm [online via Minerva] Catherine Lamb talks about the in-between, notions of impurities, perspectivism, Sruti as harmonic thinking, spirals, and multi-dimensional realities. We will also listen to some music. Catherine Lamb is an active composer exploring the interaction of tone, summations of shapes and shadows, phenomenological expansions, the architecture of the liminal (states […]

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