LAB 19: Andy Ingamells, Robert Luzar

Wednesday 5 December, 12-4pm (CM.107)

In Lab 19 Andy Ingamells joins us to talk about playfulness and fun in serious music, followed in the afternoon by Robert Luzar considering thinking, politics, and art. Both Andy and Robert are regularly involved in performances of their own work, and we will consider approaches to thinking through practice across both sessions.

12-2pm | CM.107 | Andy Ingamells: Reading, Character and Playing

In this talk I will discuss my practice-based research into how the legacy of Experimental Music from the 1960s can lead to the formation of new approaches to composition through the creation of an original body of work. Rather than composing music in isolation, how can I integrate the process of composition into performance and explore the fun of creativity in so-called ‘serious’ music? How can the act of composition be performed?

 

2-4pm | CM.107 | Robert Luzar: After-thoughts on art, work, politics and life in Sanded Steps, Standing Over Stones

Robert will share some reflections, as ‘after-thoughts’, on his research through a recent performance-based artwork called Sanded Steps, Standing Over Stones. By showing video documentation of this work presented in Montreal earlier this year, he will invite discussions around what ‘thinking through practice’ might mean in a work that deals with politics and art. This work reflects on public demonstrations and uprisings, particularly what happened in – and what might continue to be thought now from – the iconic May ’68 uprisings in Paris. What does politics mean in art now when this seismic event – THE Événement – remains a kind of after-thought, largely discredited, nothing to think about? To go into this question, Robert will look at the elements of speech, performative acts, and how notions of the political still seem to frame language, action, notation, trace, and ‘events’. Sound and its relation to voice will be reflected on how speech and actions play into not only public demonstrations but a kind of plastic reading (Malabou) method.
Robert Luzar is an artist and writer, and is Senior Lecturer in Fine Art, at Bath School of Art and Design. He holds a PhD through practice from Central Saint Martins. He continues to exhibit internationally, previous venues of which include the Palazzo Loredan Venice (IT), Torrance Art Museum (USA), DRAWinternational (FR), Katzmann Contemporary (CA), KCCC (LTU), Künstlerhaus Dortmund (DE), Nunnery Gallery (UK), and Talbot Rice Gallery (UK).

 

You might be interested in …

Hearing Motion in the Moment – New Forms of Interactive Soundmapping

Uncategorized

Hearing Motion in the Moment – New Forms of Interactive Soundmapping Eric Powell (Concordia University) Wednesday 31 January, 3.00-4.30pm / CM.107 Presentation and workshop co-hosted by the Research Centre for Environmental Humanities, the Open Scores Lab, and the Global Academy of Liberal Arts. Eric Powell is a PhD candidate, sound-artist, and researcher in the Communications Department at […]

Read More

LAB6: Peter Ablinger, Caitlin Rowley, Vassilis Chatzimakris

Uncategorized

Wednesday 8 March, 12-4pm, CM108 In Lab 6 we investigate interdisciplinary approaches to scoring, considering uses of different media and modes of realisation. Caitlin Rowley explores the hidden space of the rehearsal as a site for performance, and Vassilis Chatzimakris looks at interfacial scores. Our visitor is Peter Ablinger, one of the most consistently inventive […]

Read More

Lab 21: Emmanuelle Waeckerlé

Uncategorized

Wednesday 13 February, 12-4pm (CM.107) Emmanuelle Waeckerlé: Playing (with) and becoming I will share a few projects, VINST, JUNGLE FEVER, PRAELUDERE, Ode (owed) to O, specualting on where my attachment to spoken/written language and the voice may come from, and how a few conceptual strategies I have used over the years have recently led to […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *