Here are videos of the two pieces by Amnon Wolman performed by Anton Lukoszevieze in the Michael Tippett Centre last week.
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Lab 40: Liza Lim – Musical chimeras: on ecological thinking and symbiotic effects in ‘Sex Magic’ (2020)’, aka making scores that prioritise the contact noise between performer and instrument, and how structure follows sensation
Wednesday 26 January, 12-2pm (online via Minerva) Lim’s Sex Magic was premiered by American flutist Claire Chase on Dec 18 2020 and livestreamed from The Kitchen in New York. It is a 50-minute work for contrabass flute, electronics and an installation of kinetic percussion, about the sacred erotic in women’s history. Please see links for […]
Open Scores Lab members Louis d’Heudieres and James Saunders had pieces played in November at series in London and Manchester. Louis’s new piece Vox Pop was performed at Bastard Assignments’ New Teeth 3 show at Block 336 in Brixton on 4 November. The piece extends his use of audio scores, using Wagner as source material for a […]
Wednesday 11 January, 12-4pm, CM131 In the fourth lab we explore physicality and scoring. Robert Luzar will present recent video demonstrations and discuss their relationship with live performance, and Oogoo Maia considers the musician’s body as a site of music-making through a series of interactive games. In the second part we welcome composer/performer Jennifer Walshe who will present […]