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Lab 36: Thor Magnusson – Sonic Writing: Technologies of Material, Symbolic and Signal Inscriptions

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In this talk I will present resent research that explores how contemporary music technologies trace their ancestry to previous forms of instruments and media. I will look at how new digital music technologies have origins in traditional instrument design, musical notation, and sound recording. The scope will range from ancient Greek music theory, medieval notation, early […]

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Harry Matthew installation at Leith Hill

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Harry Matthews‘ installation Sound, Unseen will be active at the National Trust’s Leith Hill Place in the autumn. The work features locally sourced field recordings and voiceover where Harry contemplates what might have happened to the audible environment if oil drilling had been allowed to start. You will be able to listen to the work […]

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Lab researchers at January conferences

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Goni Peles, Elliot Simpson and James Saunders presented papers at two conferences in January. Goni and Elliot presented their work at the New Mimesis: simulation, models, metaphors and data in music symposium run by Orpheus Instituut and Canterbury Christ Church. Elliot presented his work with animator Mandy Toderian on the sonification of f-curves and keyframe […]

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