Amnon Wolman appointed as Visiting Research Fellow

We’re really pleased to announce that Amnon Wolman will be a Visiting Research Fellow in the lab from January-April 2018. Amnon will be developing his work on scores that investigate memory and imaginary sound during his residency. He says ‘In the last fifteen years my research-based music composition focused the use of text to initiate musical memories in the listener alongside performed sounds. At the core of this research is an assumption that the final composition heard by the listener is unique and composed in her mind based on the sounds presented to her by the composer. It seems to me, that each of us listens to music differently, draws diverse connections between the sounds presented and creates a personal ebb and flow from the music presented, thus fashioning, in fact, a unique piece of music that we individually hear.’ His project with the lab will include pieces where a text of suggestions for additional sounds is projected on a screen next to the performers, and pieces for ensembles where the musicians are also asked to verbally suggest additional sounds to the listener.

You might be interested in …

Lab 36: Thor Magnusson – Sonic Writing: Technologies of Material, Symbolic and Signal Inscriptions

Uncategorized

In this talk I will present resent research that explores how contemporary music technologies trace their ancestry to previous forms of instruments and media. I will look at how new digital music technologies have origins in traditional instrument design, musical notation, and sound recording. The scope will range from ancient Greek music theory, medieval notation, early […]

Read More

lab online

Uncategorized

We’ve been meeting every Friday afternoon for an online lab, where we’ve been discussing our recent work and trying pieces out where some participatory testing is needed. Over this year we’ve been focusing on playfulness as an area of focus, driven in part by some of the group making game pieces, and the general sense […]

Read More

Where are we going?

Uncategorized

Aaron Moorehouse has just had an article published in Tempo, titled ‘Where are we going? And what have we done?’, which focuses on the way composers consider the psychosocial impacts of their work. It’s something that often gets ignored, with a focus on the work rather than what it does in the world. Aaron’s research […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *