Material at Ludo2017

Last week Material were joined by OUT-TAKE Ensemble from Southampton to perform a set of pieces in the Ludo2017 conference at Bath Spa University. This is part of a developing collaboration between composers at the two universities, and it was great to perform together for the first time. In addition to new pieces by Oogoo Maia, Harry Matthews, Louis d’Heudieres, Ben Jameson, and James Saunders, the concert included a solo set by Blake Troise (PROTODOME) and Ricardo Climent. The videos are below.

https://vimeo.com/215155433

https://vimeo.com/214925577

https://vimeo.com/214897713

https://vimeo.com/214974396

https://vimeo.com/215154409

https://vimeo.com/214996012

https://vimeo.com/215156402

You might be interested in …

Anton Lukoszevieze plays Amnon Wolman

Uncategorized

Anton Lukoszevieze (cello and voice) Amnon Wolman (electronics) Wednesday 7 February 2018 7.30pm, Michael Tippett Centre, Bath Spa University Cellist Anton Lukoszevieze presents recent pieces for cello, voice and electronics by composer Amnon Wolman as part of their ongoing collaborations. A’s Album (2013) Dangerous Bend (1999) Use Crosswalk (2017) I have known Anton the cellist […]

Read More

LAB2: Cassandra Miller, Matthew Robertson, James Saunders

Uncategorized

Wednesday 2 November, 12-4pm [12-2pm, CM131 / 2-4pm CM225] The second Lab focuses on vocality and verbal communication, featuring a visit from Canadian composer Cassandra Miller. Cassandra’s Duet for Cello and Orchestra was performed at last year’s Tectonics festival in Glasgow, and she will speak about transcription and vocal quality. The Lab will also include new […]

Read More

New article in Organised Sound

Uncategorized

Lab members Aaron Moorehouse, Harry Matthews, and Oogoo Maia have a joint-authored article in Organised Sound published today. The article, titled ‘Post-sonic Perspectives on Socially Engaged Compositional Practices: Composing ‘after sound’ and beyond music’, addresses the precedence given to sound in musical analysis and argues that socially engaged composers might reconsider the importance they place […]

Read More

Leave a Reply

Your email address will not be published. Required fields are marked *